Monday, October 16, 2006

Jedediah Palmer On Courtesy

I enjoyed Jed Palmers characteristically brilliant meditation on courtesy:

From 3QuarksDaily

Courtesy is a double-sided behavior, fully loaded with both positive and negative implication: It is forceful in its commission, and equally so in its absence. We communicate primitive dominance as well as refinement through the details of our behavior, and in this respect courtesy is little different from style of dress or vocal timbre. Allowing a door to close behind you is a message and a sentiment no less than is holding it open for the next person; in both cases you express yourself and your respect for those around you. In this sense, courtesy, or lack of it, is a weapon. That most basic of urban prohibitions, spitting, is a fine example of the conscious and violent absence of courtesy. Much as someone can direct his voice to indicate unmistakably its intended receiver, he can spit on the street and manage to communicate, through the intensity of expectoration and the relish with which it is committed, particular and specific contempt. An act of this kind should not be mistaken for anything other than a conscious gesture of discourtesy, just as expressive, if not more so, as its gentle flip-side. And in fact even positive acts of courtesy can be freighted with negative messages. Courteous behavior directed to three out of four people in a group is expressive not so much of respect for those three who received the benefit of the positive act, but of contempt for that fourth who was ignored. The insult is especially weighty when considered in the context of the group dynamic, where the awareness of the other three people involved maximizes the disrespect, both as it is communicated by the committer and as it is understood by the receiver.

More here

Tuesday, October 10, 2006

The Departed

Martin Scorsese's The Departed is a partial return to form after the dreadful Gangs of New York and the uninspiring Howard Hughes' biopic The Aviator. I had a tough time differentiating between DiCaprio as the undercover cop and Damon as the undercover crook, though, ironically, their interchangeability added almost as much to this pleasingly symetrical movie as their insipid performances erased. Nicholson and Wahlberg were a blast though and Scorcese's movie was as tough and hard-boiled as DePalma's disappointing Dahlia was camp and soft-centred. William's Monahan's "Mamet on steroids" dialogue was great:

"I don't want to be a product of my environment. I want my environment to be a product of me."

"How's your mother?"
"On her way out."
"We all are. Act accordingly."

Sunday, October 01, 2006

Swingin' Sounds for Hipsters vol.3

I've just completed my 3rd iTunes imix, Swingin' Sounds for Hipsters Vol.3.

It's subtitled Jet Set Jazz, Bossa, Boogaloo, Beatnik Beats & Funk Noir: The Fabulous Sounds of Now.