From NthPosition.com
Late one night in the Tenderloin, 1968, my girlfriend (if you could call her that) was talking to one of her topless-bottomless dancing friends at an unlicensed bottle club deceptively called Coffee Ron. I ignored the riffraff staring at me for reading a book. Suddenly three men pulled a gun on the manager, and beat up the bartender who tried to intervene. Panic, screaming. My two lady escorts rushed behind me for protection. I held the Encyclopedia of Stage Hypnotism (1947) over my chest in an equally absurd attempt to protect myself from bullets.
It was horrible what happened next. The manager, a naive ex-prize fighter named Gene Echols, was beaten almost to death. [1] In the hospital for weeks. Of course no one called the police, and when they asked questions afterward, no one talked. This was a typical night in the Tenderloin shortly after the Summer of Love.
Around the time I was living in that black hole, a San Francisco journalist wrote, "The Tenderloin seems overwhelming and eternal and no one can really say for sure what is happening within its sprawling reaches." [2] As close as most people got was reading about it in the paper - salacious stories of sordid sex, thug wars, and murder. Having lived there, I can tell you it was indeed a horrific place. But the cost of living was cheap.
Some people, however, liked the thrill. There's nothing like a little danger to enhance your whoring. If you were brave enough to enter those sprawling reaches of several dozen square blocks, the open depravity was something to behold. In an atmosphere where violence was taken for granted, people acted out their paraphilias on bar stools at noon, and boiled methamphetamine hydrochloride over snifter candles in front of nude dancers at midnight. Or maybe it was the reverse. It didn't matter. Police acted mostly as undertakers, picking up the bodies, both dead and alive, or, like Echols, in some state of suspension in between. In spite of all this, it was still a lure to a certain kind of tourist. A businessman attending a dental supply convention at the nearby Hilton could venture a few blocks over to the Why Not at 393 Eddy Street for a 60-second sex act with someone who looked exactly like a woman. Adrenalin on the house.
Few would have seen this nihilistic gulch as an intellectual environment, but I discovered otherwise, and it might say something about all environments that appear hostile to higher inquiry, from a juche prison to a Basiji checkpoint. Among the predators and the prey, carefully hiding among the junkies and the slashers, was a thin scattering of stoned entomologists, hopped up Latinists, whorehouse biblical scholars, and obsessed littérateurs. Unlike the happy hedonists of the Haight, these were haunted ascetics who traded physical comfort and safety for the ever more lavish luxury of time itself.
More here
Sunday, February 18, 2007
World Press Photo Winners for 2006
From Lensculture.com
World Press Photo of the Year 2006, Spencer Platt, USA, Getty Images,
Young Lebanese drive through devastated neighborhood of South Beirut, 15 August
1st prize Daily Life Stories, David Guttenfelder, USA, The Associated Press,
The lonely man, Tokyo
More here
World Press Photo of the Year 2006, Spencer Platt, USA, Getty Images,
Young Lebanese drive through devastated neighborhood of South Beirut, 15 August
1st prize Daily Life Stories, David Guttenfelder, USA, The Associated Press,
The lonely man, Tokyo
More here
Friday, February 09, 2007
Jack Pendarvis ~ If Sammy Davis Jr. had written Moby-Dick
From The Believer
Call me Ishmael, Charlie. Whenever I find myself growing grim about the mouth, as happens so often in this crazy business… and believe me, I say that with no undue grandiosity or pomposity, but with the true humility that comes from the wonderful, wonderful thing that I receive back from you lovely people, sincerely, the thing I call a vibe of love.
But dig, sometimes a cat grows grim about the mouth. The applause and the warmth, that’s a beautiful dream, it’s rocket ships and moonbeams, and I’m not putting it down. I’m not one of those cats who can’t wait to get offstage. This is where I live, kids. I thrive in that environment of give-and-take that we call performing for you generous people who have sacrificed from your daily routine to partake of our humble pageantry. But in this world that we call human, it happens that a cat of a certain frame of mind grows grim about the mouth. You’ve done it. Dig, your old lady’s done it. Baby, watch out when that special lady grows grim about the mouth. That’s a schlep to Tiffany’s and chateaubriand for two. Believe me, I know whereof I speak. And don’t skip the shrimp cocktail either, daddy.
So it’s a universal thing is what I’m saying. It happens to everybody, even those of us lucky enough to do this thing that we do, up here with the lights and the mishegaas and all the wild, wild foolery that you so kindly indulge us to present for your pleasure.
So when that time that my dear friend Peter Lawford calls “simply beastly,” when that real blue moment comes for yours truly, I account it high time to take to the sea as soon as I can. I know some of the fellas can relate. But sometimes when you go so far from home, you’re looking for something that’s right here all along, you dig? In the old breadbasket, where it counts. You get out to sea and you think, Uh-oh. This cat with the nutty tattooed face is giving me the eye like I’m the fabulous Britt Ekland. That, baby, that’s what I like to call time to turn the boat around.
More here
Call me Ishmael, Charlie. Whenever I find myself growing grim about the mouth, as happens so often in this crazy business… and believe me, I say that with no undue grandiosity or pomposity, but with the true humility that comes from the wonderful, wonderful thing that I receive back from you lovely people, sincerely, the thing I call a vibe of love.
But dig, sometimes a cat grows grim about the mouth. The applause and the warmth, that’s a beautiful dream, it’s rocket ships and moonbeams, and I’m not putting it down. I’m not one of those cats who can’t wait to get offstage. This is where I live, kids. I thrive in that environment of give-and-take that we call performing for you generous people who have sacrificed from your daily routine to partake of our humble pageantry. But in this world that we call human, it happens that a cat of a certain frame of mind grows grim about the mouth. You’ve done it. Dig, your old lady’s done it. Baby, watch out when that special lady grows grim about the mouth. That’s a schlep to Tiffany’s and chateaubriand for two. Believe me, I know whereof I speak. And don’t skip the shrimp cocktail either, daddy.
So it’s a universal thing is what I’m saying. It happens to everybody, even those of us lucky enough to do this thing that we do, up here with the lights and the mishegaas and all the wild, wild foolery that you so kindly indulge us to present for your pleasure.
So when that time that my dear friend Peter Lawford calls “simply beastly,” when that real blue moment comes for yours truly, I account it high time to take to the sea as soon as I can. I know some of the fellas can relate. But sometimes when you go so far from home, you’re looking for something that’s right here all along, you dig? In the old breadbasket, where it counts. You get out to sea and you think, Uh-oh. This cat with the nutty tattooed face is giving me the eye like I’m the fabulous Britt Ekland. That, baby, that’s what I like to call time to turn the boat around.
More here
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