Politics has become a contest between different brands of doom-mongering.
Fear is fast becoming a caricature of itself. It is no longer simply an emotion or a response to the perception of threat. It has become a cultural idiom through which we signal a sense of unease about our place in the world.
Popular culture encourages an expansive, alarmist imagination through providing the public with a steady diet of fearful programmes about impending calamities - man-made and natural. Now even so-called high culture cannot resist the temptation of promoting fear: a new exhibition in the Museum of Modern Art in New York has the theme of 'The perils of modern living'. Fear is also the theme that dominates the Eighth Contemporary Art Biennial of Lyon. Natasha Edwards writes about the 'art of fear' that haunts this important exhibition of contemporary European art.
Monday, October 10, 2005
Frank Furedi ~ The Market in Fear